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| VIEWING INFORMATION & TECHNICAL
NOTES:
Please be aware that all computer
monitors are not created equal. The images on the galleries
and the home page will not display all colors as they were
produced with the original editing software and my
calibrated monitor. Color management can take days to
understand and numerous factors affect this
issue.
If you are unsure as to the final output quality
and color intent, you may request a "Proof" image on 8.5"x11"
paper. (a small shipping & handling charge will
apply) Please contact me for more information.
Be assured that all my printed images are
done to museum quality standards and reflect hours of detailed
image harvesting using a very well defined color management
work flow.
If your
are not completely satisfied with the final print, you may
return it for a full refund less the shipping and
handling costs.
Listed below are some
of the technical specifications on my work flow and
process.
Please contact me with
any questions as to their placement within my work
flow.
Please visit the gallery to see some examples
of my work.
Please visit the links page for web sites associated with these items.
- Raw
Converters -
Capture One 4, DXO
optics Pro.
- Color Space - RGB
Chroma Space 100 - DCam3 & Variant Sets,
by Joseph Holmes with Color Think Pro Software by CHROMiX for
gamut review.
- Image Editing Software - Adobe Photoshop CS2/CS3, LightZones, Lobster
Luminosity, NIK Filters, NIK Sharpening Pro, Genuine
Fractals.
- Video Hardware - NEC MultiSync LCD2490WUXi 24"
monitor achieving 76% Adobe RGB coverage, calibrated
with Eye One Software and calibration device.(every 30 days),
Eizo 21" FlexScan L885
Monitor.
- Rip
Software - Colorbyte
Software Image Print ver.7 Using Phatt Black Ink Cartridges
for the Epson 4800.
- Proof
Lighting - Solux
Color proofing lamps @ 4700K(D50).
- Printer -
Epson
Stylus Pro 4800 using UtraKrome K-3 pigment inks, using
Image Print and Phatt-Black Ink sets.
- Paper - Crane Museo Silver Rag 100 %
cotton fine art
paper
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